
Field of Study:
Literature
Home Institution in the U.S.:
Harvard University, Cambridge, MA
Host Institution in India:
Jawaharlal Nehru University, New Delhi, Delhi
Start Date/Month in India:
August 2024
Duration of Grant:
Nine months
Seton Uhlhorn
Seton Uhlhorn is a PhD candidate in South Asian studies at Harvard University. She received her BA with honors from the University of Texas at Austin, graduating from the rigorous Hindi-Urdu Flagship Program. Passionate about language studies, Seton works in Urdu, Hindi, and Persian. She has received numerous fellowships and grants to conduct advanced language training and archival research in India, including from the American Institute of Indian Studies and Boren Awards. Her doctoral research is on the work of the 18th-century poet and grammarian, Insha Allah Khan Insha. Currently, she serves as the teaching fellow for Hindi and Urdu and as the co-chair of the South Asian Studies Colloquium at Harvard University.
In her Fulbright-Nehru research project, Seton is studying the collected ghazals of Insha Allah Khan Insha. She is carrying out her research in Delhi, one of the historical capitals of Urdu literary culture, in affiliation with Jawaharlal Nehru University at the Centre of Indian Languages under the supervision of Professor Muhammad Asif Zahri, who specializes in pre-modern Indo-Muslim literary culture. In the modern view on Urdu literary tradition, the genre of ghazal is limited to a narrow set of themes, characters, and settings. While it is true that this set of themes forms the common generic ground across time, it fails to recognize the many attempts to expand the genre, particularly in the 18th century. Insha is perhaps the most deliberate about pushing the boundaries of the genre, garnering recognition in the early 19th century both inside and outside the royal courts. However, his contributions to Urdu literature have largely been overlooked in the last two centuries. Through her research on Insha ghazals, which employ the use of novel settings, characters, and colloquial language particular to the late 18th and early 19th centuries, she is exploring the ways in which his literary experimentations were informed by shifting political powers, an emerging middle class, and a budding cosmopolitan culture in North India.